Do you have the balls to argue with a police officer? Apparently you have the right to, at least in London. In most countries, taking photographs in public is allowed (even of private property, as long as you are not physically in the property). Do you agree with the approach these photographers are taking to defend the right of their cameras and photography?
Today we have a very special photographer and Internet socializer- Daah Oliveira! She is the founder of the Clicks facebook street photography group which has exploded in members and participation, and serves as an inspiration to me every day. Hailing from Liverpool, England, Daah exhibits a very unique style and a dark sense of humor. Look out for her signature Rabbit-head, and enjoy.
Q. Brief introduction please!
A. I am originally from Sao Paulo, Brazil where I started my photographer career 5 years ago but one year ago I moved to the UK where I am living at the moment. I have started photographing bands and consequently I have got completely involved in the art’s world which I absolutely love.
Q. First off, what got you started in photography? In street photography?
A. When I finished high school I wasn’t quite sure of what I wanted to be or what course to study at University so I decided to take one year break and enjoy myself as much as I could. Then I did, I had these friends which had a band and was always following their concerts. At first I was only helping them with all I could do and eventually I became a stage assistant. After a while the band started to become quite famous and they decided to record their first DVD. The photographer that was working with us also knew a lot about video and he was in charge of taking care of the DVD’s production. He knew how much I loved photography and then he offered me to stay with his DSLR camera and try to use it and be the photographer for that day. I had never used a DSLR camera before so he quickly taught me the basics of how to use his camera and I was thrilled for that. When he sent me the photos that I took on that day he also said to me that I should definitely go for it and become a photographer because he loved the photos of that day and kept thinking on what he said then I decided to enroll in a photographer course on the followed year. I’m glad I did because photography is definitely my passion.
Street Photography at first was only a project that I wanted to do because I had never imagined myself going on the streets and taking pictures of random people. When I decided to research all about street photography I realized that I had all the wrong impressions of what street photography was about and it was much more interesting that I thought it could be. I watched loads of documentaries, read many blogs and websites and after a while I decided to go with a friend to our first day of street photography session and I absolutely loved it. I realized that street photography wasn’t all about going to the streets and shooting every moment that happened. I only started to shoot street this January and I think I am still experiencing more and more… I noticed things that I don’t like, for example shooting portraits, it just don’t work to me and I thought that street photography was that, taking pics of people on streets. I’m glad that I was wrong.
Q. Do you mainly just shoot in black and white? What attracts you to B&W that makes your photos special?
A. When it comes about my street photography I try to mainly use B&W. I believe that the B&W adds an atmosphere to the photo expressing better what I want to show on my photos.
Q. It’s very hard to see the faces on your subjects, making the photos somewhat eerie and yet enigmatic at the same time. Do you do this on purpose? And why do you do it?
A. When I first started into street photography world I was in a period of experiencing every type of street photography in order to try to find which style would be more applicable to me. As a result, I realized that I don’t really like shooting portraits because it doesn’t say much about my style which I consider being more artistic and gloomy. I rather have one subject in my photos than being in the middle of busy places. It makes my brain stop and I completely close myself to think in a good photo to shoot.
Q. Why do you love street photography? What aspect attracts you to it?
A. I love being able to show my style on my photos, I love going in a street session and not knowing what to expect and how exciting street photography is. The aspect that attracts me most is the fact of how each photo tells a history by itself. I truly get in love for each of my photos because of the story that each of them tells to me.
Q. I always ask this: what’s the most interesting story you have from shooting?
A. Luckily (or not) I don’t have many stories to tell. Maybe there a few ones in which isn’t that interesting to other people but it doesn’t mean that they aren’t interesting to me. The story that I will always remember is when I was out in Liverpool shooting and I went down the docks in a Sunday which is a busy day there with loads of people. I was only resting my feet in one of the benches when I saw this couple arguing but at first I was just watching them and seeing how ridiculous the girl was being for flipping over the guy, hitting on him and when he said to her he was leaving she started to cry and ask him sorry, so he sat down and she started everything again… they did that for ages. I was quite scared of shooting this moment but I started to think that if she was doing that in public she probably wouldn’t even see me taking the picture of them… so I did. It was a funny moment and always will remember the scene as if they were in front of me right now. Other funny moment to me is when I recognized someone on the middle of the streets and I try to think where I had seen that person before, then I have a click in my head and I remember that I have a picture of that person.
Q. What subjects do you like to shoot? Or any specific locations? Why?
A. I like open places with good backgrounds and good illumination. Because I love the game that you can do with the lights, the shadows and shooting in an open place helps to call all the attention to the details. As I said before, I don’t like busy places because it is the complete opposite of my style.
Q. What gear do you use?
A. I use a Nikon D7000 with 50mm lens and for my blur/motion photos I use my 18-135mm.
Linda Wisdom- from Clicks
Q. You helped found the group Clicks on facebook; tell us more about why you made it, what it is, and so on!
A. At the first the group was created for a competition that I ran on my fan page. The theme was B&W reflection and loads of people were participating of it. Most of these people were street photographers so when the competition was finished I decided to rename the group to B&W Reflections and most of them kept participating of the group even after the competition closed.
I always see amazing pictures on my feeds and I keep a folder on my computer of pictures that I like or I used to post on a friends’ wall a picture that I knew that they would like so I started to think ‘why not create a community page and share this with more and more people?’. This was the main reason why I created CLICKS’ page and I enjoyed that I had the group already there and decided to change the name of the group as well. Everybody in the group seemed to love the idea and then people started to post more, new people started to participate of the group and it is really motivational to see all these interaction going on over there. I also wanted to make a good group of friends to share experiences, critiques, knowledge, etc.
Q. Any links/pages/portfolio you want to share with us?
A. FB page: https://www.facebook.com/daaholiveiraphoto
Clicks Page: https://www.facebook.com/clickstreet
Q. If you had to pick just one piece of advice to give aspiring photographers/street photographers, what would it be?
A. To go out and shoot street with no rules on mind or fear. Experiencing is the best way to learn. 🙂
Hey guys, I’m submitting my works to the B+W Photographer of the Year contest, just to see if I can make it =P
Here’s the hard part: I can only choose 3. Which are your favorite 3?
The little girl who could
Lost in the City of Light
The Children of Light 2
The Coming of Age
Float Me Away
Bubbles or Kiss
They Live in Another World
A Fragile Bond
Let’s go on an adventure
Still Life with Boy on Wall
Il Bruno, Il Macho
Thanks so much!
Hey there street photographers! Today I have a very special treat for you guys: Ali “Waxy” Waxman in the next segment of the street photographers. I have interacted with Ali online and I have been constantly impressed by her work. Based out of Pennsylvania, Ali has an extremely unique style to his shots, experimenting with various flash triggers (for extremely fast exposures) as well as long exposures that lead to interesting results. Look for his exhibition information at the end of the article!!!
Q. Nice to meet you! A brief introduction?
A. My photography work explores the relationship between a consumerist desire and daytime ESPN.
A. I am a second-generation photographer. I acquired my technical expertise at the side of my father (whom I’ve never met), a renowned “glamour” photographer in NYC’s heyday.
I refined my technique and expanded my creativity while shooting sports teams for Hershey Schools, weddings and pushing the limits of my equipment and squeezing out every bit of creativity in them.
Q. You have a very, very unique style of street photography. What’s the story behind it?
A. The shaky face project began at the cross streets of Second St and Walnut Sts in Harrisburg, Pennsylvania. A somewhat juxtaposition of life. On one side, there sits a Hilton Hotel where Jaguars and Mercedes are being valet parked. On the other side of the street is home to the bus station. Where people beg for money and the homeless are fed by the food not bombs kids. Kids that are seriously struggling themselves, but giving everything they have for those less fortunate.
Let me tell you, getting complete strangers to allow me to photograph them is challenging enough…having COMPLETE STRANGERS shake their face like a dog shakes off water has got to be the hardest thing to do. EVER!
Because, this is not an isolated environment. I approach people at the bus station…where there are loads of people… Or getting out of their BMW’s….where the valets are waiting for their keys…
AND…I get a lot of people who tell me to piss off…OR…a lot of get that camera out of my face reactions…but I also get the coolest people ever to comply.
It’s getting them out of their comfort zone. Letting them go nuts of a few minutes…and I am so thankful I am there to capture the zaniness!
A. I encourage the people I shoot to let loose for a few minutes…to relax all the muscles in the face and then shake it crazily from side to side.
A. One time, I took my daughter with me to an area near a train station. I wanted to get some shots of people waiting for the train. So, I set up near the platform and began randomly shooting…
Quite soon after I began, I was approached by what looked like someone who worked on the trains. He was dressed in a florescent jumpsuit and was wearing a hardhat. He asked what I was doing. I told him I was taking pictures…
He then asked for my passport. (not sure why he asked for that rather than some form of ID)…and that made me crack up laughing. He was really mad that I laughed at his request and got loud with me…
He insisted I give him some ID…
My daughter looked really scared and intimidated by him. I responded by asking him for ID…I told him loudly, “I don’t know who you are too…If you show me identification, I will do the same.”
He was so shocked by this, he walked away.
Moments later, he returned with his ID in his hand. I then showed him my drivers license and told him, I mean no harm…just want to take pictures…
He was much more calm and asked me how long I was going to do this…I knew it was not a good scene, so I said I was wrapping it up and would leave in a few minutes.
He said that was okay and let us stay.
I used this as a tool to teach my daughter that just because someone tries to intimidate you into something, they are not always what they appear to be. You should always ask for their ID as well.
A. After importing into Lightroom, I usually do all my major changes and corrections there. Then it’s onto Photoshop for finishing touches. I also heavily use the nik collection as well. Fantastic plug ins for PS!
A. Currently, I am digging shooting sports in a creative way. But, I also love portraits, street photography and photographing my family!
Q.Your use of long exposures are very interesting. How exactly do you use them?
A. This technique was taught to me by an extremely talented photographer names Os Ososment. I simply created my own niche. When shooting my entended exposures, I like the use of props, and try to get an image of the subject acting way out of their usual personality.
These are difficult to shoot and take a lot of time to get it just right.
A. Develop a thick skin. And learn how to defend yourself. People are crazy on the street!
Look at this:
What is it you ask? My family found this worn out letter/note in the chest of things my grandfather (paternal) left before he passed away, along with the Leica M3 he left. That there’s written in his handwriting: a perfect cursive. The photo behind it was left with it, a photo of my grandmother in her youthful years. My grandfather was laden with history, layer after layer: living under the Japanese occupation during his childhood, fleeing to the US after the IMF crisis in South Korea, and living out his days in a quiet house in the States. I don’t know what you see from this photo, but sure wish I could have spoken more about it with him before he left for a (hopefully) better world.
What do you see in this photo?
Hey guys, so I’ve been slacking. But in a good way. Really, I promise.
I’ve been finishing a final model shoot and have sold off my canon rebel and lenses to finally acquire the funds for an Olympus OM-D. Stay tuned for when that ships.
But in the meanwhile, check out this Municipal Archives collection.
As for what it is, an excerpt on the page should do!
Almost a million images of New York and its municipal operations have been made public for the first time on the internet.
The city’s Department of Records officially announced the debut of the photo database.
Culled from the Municipal Archives collection of more than 2.2 million images going back to the mid-1800s, the 870,000 photographs feature all manner of city oversight — from stately ports and bridges to grisly gangland killings.
There are some amazing photographs on here, street photography and other kinds mixed in for good measure. Check it out!
I was rummaging through old Digitalrev Learn posts (which, you should totally check out by the way), and found this handy link about street photography for beginners. Aside from his nothing-less-than-sarcastic, crude, British humor, the advice is somewhat humbling and realistic. Take a look.