Hey there street photographers! Today I have a very special treat for you guys: Ali “Waxy” Waxman in the next segment of the street photographers. I have interacted with Ali online and I have been constantly impressed by her work. Based out of Pennsylvania, Ali has an extremely unique style to his shots, experimenting with various flash triggers (for extremely fast exposures) as well as long exposures that lead to interesting results. Look for his exhibition information at the end of the article!!!
Q. Nice to meet you! A brief introduction?
A. My photography work explores the relationship between a consumerist desire and daytime ESPN.
A. I am a second-generation photographer. I acquired my technical expertise at the side of my father (whom I’ve never met), a renowned “glamour” photographer in NYC’s heyday.
I refined my technique and expanded my creativity while shooting sports teams for Hershey Schools, weddings and pushing the limits of my equipment and squeezing out every bit of creativity in them.
Q. You have a very, very unique style of street photography. What’s the story behind it?
A. The shaky face project began at the cross streets of Second St and Walnut Sts in Harrisburg, Pennsylvania. A somewhat juxtaposition of life. On one side, there sits a Hilton Hotel where Jaguars and Mercedes are being valet parked. On the other side of the street is home to the bus station. Where people beg for money and the homeless are fed by the food not bombs kids. Kids that are seriously struggling themselves, but giving everything they have for those less fortunate.
Let me tell you, getting complete strangers to allow me to photograph them is challenging enough…having COMPLETE STRANGERS shake their face like a dog shakes off water has got to be the hardest thing to do. EVER!
Because, this is not an isolated environment. I approach people at the bus station…where there are loads of people… Or getting out of their BMW’s….where the valets are waiting for their keys…
AND…I get a lot of people who tell me to piss off…OR…a lot of get that camera out of my face reactions…but I also get the coolest people ever to comply.
It’s getting them out of their comfort zone. Letting them go nuts of a few minutes…and I am so thankful I am there to capture the zaniness!
A. I encourage the people I shoot to let loose for a few minutes…to relax all the muscles in the face and then shake it crazily from side to side.
A. One time, I took my daughter with me to an area near a train station. I wanted to get some shots of people waiting for the train. So, I set up near the platform and began randomly shooting…
Quite soon after I began, I was approached by what looked like someone who worked on the trains. He was dressed in a florescent jumpsuit and was wearing a hardhat. He asked what I was doing. I told him I was taking pictures…
He then asked for my passport. (not sure why he asked for that rather than some form of ID)…and that made me crack up laughing. He was really mad that I laughed at his request and got loud with me…
He insisted I give him some ID…
My daughter looked really scared and intimidated by him. I responded by asking him for ID…I told him loudly, “I don’t know who you are too…If you show me identification, I will do the same.”
He was so shocked by this, he walked away.
Moments later, he returned with his ID in his hand. I then showed him my drivers license and told him, I mean no harm…just want to take pictures…
He was much more calm and asked me how long I was going to do this…I knew it was not a good scene, so I said I was wrapping it up and would leave in a few minutes.
He said that was okay and let us stay.
I used this as a tool to teach my daughter that just because someone tries to intimidate you into something, they are not always what they appear to be. You should always ask for their ID as well.
A. After importing into Lightroom, I usually do all my major changes and corrections there. Then it’s onto Photoshop for finishing touches. I also heavily use the nik collection as well. Fantastic plug ins for PS!
A. Currently, I am digging shooting sports in a creative way. But, I also love portraits, street photography and photographing my family!
Q.Your use of long exposures are very interesting. How exactly do you use them?
A. This technique was taught to me by an extremely talented photographer names Os Ososment. I simply created my own niche. When shooting my entended exposures, I like the use of props, and try to get an image of the subject acting way out of their usual personality.
These are difficult to shoot and take a lot of time to get it just right.
A. Develop a thick skin. And learn how to defend yourself. People are crazy on the street!